13 Georgia Ghosts and Jeffrey by Kathryn Tucker Windham

By Kathryn Tucker Windham

Jeffrey is the mischievous “something” that has headquarters within the Windham domestic in Selma. He first made his presence recognized in October 1966, and because then he has persisted, at abnormal and rare durations, to clump down the corridor, slam doorways, rock in a chair, frighten the family members cat (now deceased—through no fault of Jeffrey), stream heavy items of furnishings, reason digital gear to malfunction, and conceal items. He often accompanies Mrs. Windham on her travels, and stories of Jeffrey’s antics are broadly stated. “Nobody has ever been scared of Jeffrey,” Mrs. Windham says. “He is especially handy to have—we blame every thing that is going awry on him. His basically function for present (if that notice is right) is to prod me into gathering and keeping ‘true’ ghost tales from in the course of the South.”  

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He didn't like the fellow's looks and would have turned him away, but the weather was uncommonly cold and cloudy and looking like snow, and Mr. Henson hated to send anybody out in a mountain storm. "So he told the man he could come on in and spend the nightif he didn't mind sleeping in front of the fire. You see, Mr. Henson knew Mrs. Henson wasn't going to let anybody dirty as that stranger sleep in her good bed. "Frost didn't like the stranger at all. Soon as the man walked into the front room, Frost commenced to growl real low and to move up close to Mrs.

Winter arrived late that year, and the weather remained unusually balmy until almost Christmastime. There was really no need for a fire, but at Mrs. Tattnall's urging Tattnall lighted the logs in the wide fireplaces in the downstairs parlors. The firelight, Mrs. Tattnall said, was romantic and decorative and added a festive touch which somehow made the entire house seem more hospitable and inviting. Each group of guests who arrived commented, Page 31 "Bonaventure never looked lovelier," and Mr.

Edwin Booth, though he sometimes protested that he was weary of it, revered the role of Hamlet, and it must distress him that the players in the reclaimed and restored Springer have not included Hamlet in their repertoire. Since the Springer was literally snatched from the grasp of demolition crews in 1963 (it had been dark and boarded up for six years), the theatre has been restored to its red plush and gilt splendor. Chandeliers light the eighteen private boxes, and garlands of tulip lights, salvaged from rubble found in the basement, outline the graceful curves of the balconies.

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