By Michael Connelly
LAPD Detective Harry Bosch tackles a trio of difficult situations in an unique publication containing 3 compelling brief stories.
In CHRISTMAS EVEN, the case of a burglar killed in mid-heist leads Bosch to retrace a hyperlink to his earlier. In FATHER'S DAY, Bosch investigates a tender boy's possible unintentional loss of life and confronts his personal fears as a father. In perspective OF research, Bosch delves into one of many first homicides he ever labored again as a uniformed rookie patrolman, a case that was once left unsolved for decades.
Together, those gripping tales span Bosch's debatable profession on the LAPD and exhibit the evolution of the haunted, mythical investigator he could turn into. completely unputdownable, they're facts that 'Connelly is a criminal offense writing genius' self reliant ON SUNDAY.
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He was sitting at the table with his arms folded and his eyes closed. He was either sleeping or meditating. Maybe both. He left the room and went back to the homicide table. He sat down and picked up the saxophone again. He liked handling it, the feel and weight of it in his grasp. Knowing that the instrument could produce a sound that echoed all the sadness and hope of humanity gave him pause. Again, he remembered the day on the ship. Sugar Ray bobbing and weaving through “The Sweet Spot” and a few other tunes.
The door to 107 was ajar. The light was on in the room and Bosch could hear television sounds coming from inside. He knocked softly and didn’t get a response. He slowly pushed the door open and stuck his head in. He saw an old man sitting in a chair next to a bed. A television mounted high on the opposite wall was droning. The old man’s eyes were closed. He was gaunt and depleted, his body taking up only half of the chair. His black skin looked gray and powdery. Despite the thin face and loose skin gathering below his chin, Bosch recognized him.
He stepped into the room and quietly came around the bed. The man didn’t stir. Bosch stood still for a moment, wondering what he should do. He decided not to wake the man. He put the instrument stand down on the floor in the corner. He then cradled the saxophone in it. He straightened up, took another look at the sleeping jazzman and nodded to him in some sort of unnoticed acknowledgment. As he headed out of the room he reached up and turned off the television. At the door he was stopped by a raspy voice.