By Bolaño, Roberto; Maristain, Mónica; Maude, Kit
The best way to understand the guy at the back of works of fiction so susceptible to extravagance? within the first biography of Chilean novelist and poet Roberto Bolaño, journalist Mónica Maristain tracks Bolaño from his adolescence in Chile to his early life in Mexico and his early infatuation with literature, to his beginnings as a poet, and to the stardom that got here with the e-book of the novels The Savage Detectives and 2666. all through the publication, Maristain current a picture a long way faraway from the stereotypes which have been created through the years to introduce a author whose works grabbed readers around the globe. Maristain writes as a journalist and admirer, inspired with the facility of Bolaño's prose and the cool irony with which he confronted the literary world. Read more...
summary: tips on how to recognize the fellow in the back of works of fiction so susceptible to extravagance? within the first biography of Chilean novelist and poet Roberto Bolaño, journalist Mónica Maristain tracks Bolaño from his early life in Chile to his early life in Mexico and his early infatuation with literature, to his beginnings as a poet, and to the stardom that got here with the ebook of the novels The Savage Detectives and 2666. during the e-book, Maristain current a picture a long way faraway from the stereotypes which have been created through the years to introduce a author whose works grabbed readers all over the world. Maristain writes as a journalist and admirer, inspired with the facility of Bolaño's prose and the cool irony with which he confronted the literary global
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Extra info for Bolaño : a biography in conversations
It’s a great, genuine story for a song! Bolaño was talking about the song “Pictures of Lily” by the Who. Roberto, who compared his life with that of the ordinary boy in the lyrics of a rock song, continued to see himself throughout his life as a literary character, a fictional person. Proof of this comes from the letters he wrote to his friends, which Bolaño’s first publisher, the American Juan Pascoe, describes as “Literary acts, not personal letters. He was not really writing … He was writing what he wanted to write at that moment.
She would come to the house at Guadalupe Tepeyec and stay there for a few days before disappearing for months at a time. Her full name was Alcira Soust Scaffo. She was a Uruguayan teacher (not Colombian, as León Bolaño thought) who went to Mexico and met Bolaño in 1970. She inspired Amulet, the story of Auxilio Lacouture, a woman who locks herself in the Humanities Building during an army raid on UNAM. The character first appeared in The Savage Detectives. The young Uruguayan literary critic Ignacio Bajter wrote a long article in the cultural journal Brecha in which he reports that Soust Scaffo went to Mexico in 1952 when she was twenty-nine and lived there for thirty-six years.
PASCOE: I remember the night that Infrarealism was founded at the Montanés’ apartment. It was full of people. Roberto was the leader, he was sitting at a table very formally. The speeches started and I didn’t understand a thing, so I distracted myself with shapes the smoke from Roberto’s cigarette was making in the air. I’d gone with my brother Ricardo and Carla. We took the trolley to the city center where the Montanés lived. Everyone said, “The Infrarealist movement has begun”—I can’t remember if we signed a piece of paper or not—and then we left.