By Louise Labé
Due to her acclaimed quantity of poetry and prose released in France in 1555, Louise Lab? (1522-66) continues to be probably the most very important and influential girls writers of the Continental Renaissance. top identified for her beautiful selection of love sonnets, Lab? performed off the Petrarchan male culture with wit and irony, and her elegies reply with lyric ability to predecessors equivalent to Sappho and Ovid. the 1st whole bilingual variation of this singular and broad-ranging lady writer, entire Poetry and Prose additionally gains the one translations of Lab?'s sonnets to stick to the exacting rhyme styles of the originals and the 1st rhymed translation of Lab?'s elegies of their entirety.
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Additional resources for Complete Poetry and Prose: A Bilingual Edition (The Other Voice in Early Modern Europe)
Labé’s participation via these texts in the thriving public debate known as the Querelle des femmes paradoxically did not, for understandable reasons, enhance the public visibility of her 19 20 Louise Labé prose during most of the time since her death, inasmuch as the “other voice” adopted in her overtly polemical work (as in that of other women authors) continued to be largely overshadowed by the hegemony of traditional hierarchies. That we are now ﬁlling in that gap between knowledge and appreciation of the two (public and private) faces of Louise Labé’s work newly empowers the contemporary reader to discover, in the challenging prose writings of a brave yet compassionate social critic, the genesis of a great poet.
Ed. Pre-Pléïade Poetry. Lexington, KY: French Forum, 1985. Poliner, Sharlene May. ” Bibliothèque d’Humanisme et Renaissance 46, no. 2 (1984): 323– 42. Prine, Jeanne. ” In Women Writers of the Renaissance and Reformation, ed. Katharina M. Wilson, 132–57. Athens: University of Georgia Press, 1987. Read, Kirk. ” Critical Matrix: Princeton Working Papers in Women’s Studies (spring–summer 1990): 63–88. Reiss, Timothy. Mirages of the Selfe: Patterns of Personhood in Ancient and Early Modern Europe.
We thank the volume editors in this series, who responded with many suggestions to an earlier draft of this introduction, making it a collaborative enterprise. Many of their suggestions and criticisms have resulted in revisions of this introduction, although we remain responsible for the ﬁnal product. , On Marriage and the Family, edited and translated by Margaret L. King Francesco Buoninsegni and Arcangela Tarabotti, Menippean Satire: “Against Feminine Extravagance” and “Antisatire,” edited and translated by Elissa Weaver Rosalba Carriera, Letters, Diaries, and Art, edited and translated by Catherine M.