Decamerón: Edición y guía de lectura de Anna Girardi by G. Boccaccio

By G. Boccaccio

Escrita entre 1349 y 1351, es una colección de cien cuentos de variada procedencia donde el autor muestra su inigualable destreza de narrador, perspicacia psicológica, certera pincelada satírica y magnífica descripción de las costumbres de aquel tiempo. Los cuentos son relatados por un grupo de diez jóvenes que se retiran a las afueras de Florencia para protegerse del contagio de los angeles peste que asolaba l. a. ciudad; allí, durante diez días, cada uno de ellos tiene que gestionar una jornada y todas sus actividades; entre éstas destacas especialmente las reuniones donde, para pasar el tiempo, los presentes tienen que contar un cuento. Los temas son muy variados, abundan los licenciosos, pero también se narran historias sentimentales, trágicas y moralizantes. En esta edición Anna Girardi, especialista en los angeles obra de Boccaccio, propone una selección de los mejores relatos de Decamerón según los angeles espléndida traducción de Pilar Gómez Bedate.

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This transformative capacity enacts the Erasmian copiousness in both the proliferation of figures and significations, and the 'enargeia' (vividness) that verbal plenitude produced. 80 This vividness centres upon the discovery of hidden orders and meanings, so enargeia is required whenever ... we do not explain a thing simply, but display it as if it were expressed in colour in a picture, so that it may seem that we have painted, not narrated, and that the reader has seen, not read. 81 Marlowe and the Aesthetics of the Closet 19 Description and vividness act as forms of discovery, to conjure the real through the verbal, creating a fusion of res and verba which animates the description, and 'maketh vs beeleue that our eyes doe almost witnesse the same, and that our very sences are partakers of euery delicacy in them contayned ...

To depict the King's progress from royal closet to cave of care, from dominion to subjection, was to open the secret and discover the process of secrecy, playing along and emphasising the very boundaries of the open secret which provided the foundation of power. Further appropriations operate throughout Marlowe's oeuvre as dominant literary forms, or key cultural myths, are refashioned in new ways, a strategy that itself rewrites the Protestant 'reformation'. 293-4). Each inverts traditional ideal models, central cultural symbols, providing a series of counter-readings of the canonical texts and moments of Renaissance culture.

Starkey (1987), pp. 71-118. M. Baillie, 'Etiquette and the Planning of the State Appartments in Baroque Palaces', Archaeologia, 101 (1967), 169-99. 26 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. ]ames Knowles P. Wright, 'A Change of Direction: the Ramifications of a Female Household, 1558-1603', in the English Court, pp. 147-72. Wright, 'A Change of Direction', pp. 159-60, and S. May, The Elizabethan Courtier Poets: The Poems and Their Context (Columbia, Missouri, 1991), p.

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